My brother and I looked on as a gunsmith at Colonial Williamsburg expertly fit together a black walnut stock with a metal lock. Without raising an eye the artisan patiently answered our questions as though we were fresh off the boat and in need of a good rifle. That is until my brother volunteered that I was a machinist in a former life.
“A machinist” He said as he set his file on the workbench, and peered over his spectacles at me, “In that case, I’ll…. talk…… slow…. for…. your…. sake.”
I often get questions that are less about design and more about engineering. It’s innocent enough and usually no fault intended. Yet to my mind there is a quite a gap between the world of design and the world of engineering. When I think of engineering I think strength of materials, load bearing capacities, slide rules, and efficiencies. For many, engineering is the default starting point. Our education system and industry is geared towards that approach. Engineering is logical to the core; much of it is expressed in numbers and formulas.
When design comes to mind I think of aesthetics, creating something with a “delight” factor. Yes, a chair has to function and bear the stress as we lean back and rack the undercarriage – that’s a given. But a chair also has to invite us to sit and beckon us to grasp the armrest as though it were a bit of shelter from the wind. Design is about learning to visualize a fair curve and a sixth sense for proportions. It’s about gaining something I call “spatial pitch” where the eye can sense visual music in a composition.
Jim Tolpin and I are excited about our book “By Hand and Eye” which is just a few weeks away from going to the printer. If you are hoping for a book to help you engineer furniture, you may be a bit confused and disappointed. But, if you ever wondered what it would be like to unlock that inner ability, to gain a designers eye, this book can help you begin that journey. Sure, we do go through some nifty layout tricks with dividers that will make you a better woodworker, but the heart of the book is about learning to visualize, gaining that perfect pitch, crossing that invisible line called delight.
George R. Walker