Just want it to be done

Juan Caramuel Lobkowitz, 1606-1682

One year ago Jim Tolpin and I were axehandles and elbows in final edit mode for our manuscript BH&E (By Hand & Eye).  I was struck by how much work is involved down that final stretch and I just wanted it over with.  Sort of like a large furniture project. It starts with the excitement of picking just the right figured boards to unleash something beautiful. That excitement gives way to a different kind of pleasure when the shaping and joinery begins, more like a long hike in the woods. Every good hike has a few brambles to muddle through, but the pleasure of building makes up for the hilly spots. Yet, near the end I always just want to get it done, shed the saddle and roll in some clover.

But this was different. After Jim and I high fived and broke some glass, we went right back to the fun of sending each other articles, links to historic engravings, and random thoughts about how our craft might have solved a problem. Rather than moving on, we continued to moving in. We’ve only scratched the surface as much of this knowledge can only be pried loose at the point of a tool. Jim’s still eager to test out every idea at the bench, and I can’t resist flipping over stones in the creek bed. A year later, actually three years later for the two of us, we are more convinced that the tradition has so much to teach us about how to see. And with each piece of knowledge we become more convinced that the traditional tool set is the key to breathe life into it.

I’m headed out to Port Townsend in March to share this knowledge in a design workshop. There are still a few spots left, so if you are game for a week of eye opening discovery, sign up.

George R. Walker

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3 Comments

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3 responses to “Just want it to be done

  1. I’m signed up. Looking forward to the workshop.

  2. A Question: Do you think design can be taught? Or, is it more like picking up shells on a beach. Sometimes formal training inhibits the “upstart” that lives within us. I’m referring to the difference between formal musical training and “rock and roll”.

  3. Design often calls for a creative leap and I’m not sure that’s easy to define or teach. However, you can learn to visualize and that goes a long way towards making that leap successful. I see formal training as a liberator not a limiter. History proves that out.

    George